Moore’s law, which expresses itself in computers becoming smaller and smaller, seems to parallel what is happening in our machine-mediated discourse. Our public discourse has been shrinking at a rate rivaled by the speed at which the integrated circuit has diminished in size.
When fax machines first appeared, it was like magic precisely because they could transmit so much text. I remember standing in wonder at the fax machine in my father’s bookstore as it dropped page after page on the floor. When email appeared, it was again astonishing that so much text could be sent over the computer. People would spend hours crafting careful email messages that drew on the tradition of letter writing.
That didn’t last very long. As our communication media have evolved through instant messaging, text messaging and finally Twitter, what attracts us is not length but brevity. Our communication media orient us to eschew complexity and depth, to give preference to what is brief and transitory.
At least, that is what dawned on me this morning when reading Nicholas Carr’s chapter on Twitter in his brand-new book Utopia is Creepy and Other Provocations. This chapter, which is a reprint of Carr’s 2007 blog post, points out that Twitter’s great accomplishment has been to fragment the fragments, enabling us to turn any event in our lives, no matter how trifling, into a headline. Twitter dignifies the banal and glorifies the boring by enabling us to turn any experience into a stop-the-press bulletin. Twitter thus “wraps itself and its users in an infantile language” in which we can take refuge in the insignificant. Carr’s closing paragraph connects Twitter to emerging Virtual Reality technologies:
As the physical world takes on more of the characteristics of a simulation, we seek reality in the simulated world. At least there we can be confident that the simulation is real. At least there we can be freed from the anxiety of not knowing where the edge between real and unreal lies. At least there we find something to hold onto, even if it’s nothing.